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Most of the dates announced in the intertitles coincide with historical events: 1938, June 1941, May 1945, October 1957.

Yet history in the film, perhaps befitting its genre, provides a mere background to Verochkas emotional life.

He demonstrated his command of screen genres as far back as 1966, with the action-adventure film Vertical, and subsequently showed prowess working within such other cinematic templates as the crime-drama (The Meeting Place Cannot Be Changed, 1979) and even the rape-revenge film (Sharpshooter).

Bless the Woman also shows Govorukhins continuing penchant for using literary source material; the film is based on I.

Unlike those highly politicised film-exposs, however, Bless the Womans primary representational allegiances are aesthetic: to screen melodrama.

The narrative, and the camera, are focused throughout on the heroine, Verochka, beginning with the opening shots of her emerging Venus-like from the sea foam.

Larichev warns his mentor that he has no choice but to report him, but the commander shoots himself that night, saving the NKVD the trouble.

This somewhat anomalous episode has no apparent effect on Verochkas or Larichevs inner lives or biographies, and stands out as an anomalous departure from the films otherwise disciplined focus on its heroines emotional world and life trajectory.

In 1998, at the age of 15, she started a career as a fashion model in Moscow, and also made a few international gigs.Bless the Woman is veteran director (and State Duma deputy) Stanislav Govorukhins first feature since 1999s Sharpshooter of the Voroshilov Regiment.Like much of his output since the 1960s, Govorukhins latest film is an impeccably professional example of genre cinema, in this case melodrama.From 2001 to 2005 she studied acting at the Shchukin Theatrical School of the Vakhtangov Theatre in Moscow, where she attended the class of Nina Doroshina and Alekandr Lyubimtsev, graduating in 2005 as an actress.While a student, she starred in films of directors Stanislav Govorukhin, and Viktor Merezhko, and also appeared in popular Russian TV series.

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Grekovas novel The Hotel Manager, and follows the directors earlier adaptations of such varied works as Agatha Christies Ten Little Indians (1987), Tom Sawyer and Huckleberry Finn (1981), and Robinson Crusoe (1972).

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